Woolwork Reviews Since Auchen arrived back here earlier this year I have thoroughly enjoyed getting to know it – knitting and dyeing with a yarn I have dreamed of producing for quite some time was pretty scary at first, but I am finding it a pleasure to work with. Rather than just believe me though, since my perspective is undoubtedly biased, I had a lovely group test and review the yarn for me. I hope it will be useful information for you in deciding whether you might want to knit with Auchen and what to expect from it.
The review group was recruited through Louise Scollay’sWoolWork (formerly Knit British) Ravlery group. I think the initial idea to do this came from Louise herself, which I’m really grateful for. I really appreciate her letting me set up a thread in her Ravelry group and especially for allowing me to adopt her Wool Exploration report format. Louise’ website, Podcast and Ravelry group are a mine of information about sheep breeds and their wool properties. Very many thanks to the six lovely women who reviewed Auchen so thoroughly for me. Link to Auchen reviews below:
The yarn facts and figures I hope that all this information has been useful. As always I want to be as transparent and traceable in my yarn production as possible.
The final piece of the jigsaw is the yarn specifications. Auchen has been woollen spun giving an airy, lofty, lightweight and adaptable yarn. It is two plied (i.e. two singles plied together) and is Sport Weight at approximately 375m/100g. The individual skeins are generous with 410m each and approximately 110g per skein.
Auchen –‘field’ in lowland Scots, thought to originate from
Gaelic ‘achadh’ meaning ‘field of the’
Auchen Auchen has been developed with support, for some aspects of the project, from the Highland and Islands Small Innovation Grant Scheme and is the first larger scale yarn I have produced. It has taken over 18 months to get to the stage of having an awful lot of yarn taking up a lot of shed space!
Auchen is a blend of Bluefaced Leicester hogg*, Cheviot hogg and Shetland – in proportion approximately 40, 30 and 30% respectively. All the fleeces were white apart from a small number of dark Shetland, selected to give the yarn its natural pale grey Haar colour and occasional dark fleck. As usual I hand picked every fleece and then skirted each of them to ensure only the finest fleece went into the yarn. Most of the fleece comes from the Black Isle itself and the furthest was less than an hour drive away.
*Hogg = ewe lambs at the end of their first year, first clip
Auchen Yarn Journey After a lot of consideration I settled on New Lanark to spin the yarn, for their skilled and experienced woollen spinning. New Lanark is a historic mill which has been spinning since 1786. They offer a custom spinning service on their 19th century machinery (which uses renewably sourced energy from their water-powered turbine). I particularly liked that I was asked to send samples of the fleeces I was planning to use in the yarn – before agreeing to take on the commission New Lanark wanted to be sure they’d be able to spin a quality yarn for me.
Sadly, there is no capacity to scour fleece in Scotland (which is the first step before spinning), so I took a transit van full of the beautiful raw (and quite smelly on a hot August day!) fleece to Thomas Chadwick and Sons in Yorkshire last summer. The cleaned fleece then waited until there was a full load before travelling back north to New Lanark (to minimise carbon miles). Following spinning, at the very end of 2019, the yarn made a trip back to Yorkshire, to Harrison and Gardiner to remove the spinning oil. Again, the yarn bales waited to join a load before coming north, back to their starting point on the Black Isle.
I had the crazy idea of knitting myself a new sweater in the run-up to last autumn’s busy show season (Perth Festival of Yarn, Yarndale and Loch Ness Knit Fest all came in quick succession). Unsurprisingly I didn’t manage to finish my Newleaf Sweater quite in time but it was actually a pretty quick knit and I thoroughly enjoyed the odd moment of knitting between lots of dyeing.
Newleaf Sweater is a design by Jennifer Steingass. Jenn has published a lot of patterns recently but this is the first I have knit – I really enjoyed it and found it a well written pattern. Initially I had some difficulty with the colour-work as my floats were a bit tight. I commented on instagram and had a lot of very helpful comments. I tried knitting the colour-work inside out as a first step and, since that worked well for me, I didn’t try any of the other suggestions…….but it is good to know there are other options if I have problems in the future.
I knit my sweater in Coulmore 4ply, I knew it would be one I’d wear a lot and the hard wearing, and light, properties of Coulmore 4ply would be perfect. The main colour is the undyed grey from my latest batch and the contrast is a dark grey-blue (naturally dyed of course). I think it would also work well with a dyed shade as the main colour and undyed for the colour-work contrast.
I debated whether to go for the long sleeve or short sleeve version. Eventually I decided on short sleeves, which was definitely the right option for the way I’m wearing it – over long sleeve tops, all day most days! It is great for working in, I can dye without having sleeves in the way. I’m keen to knit more sweaters with short sleeves (though I’m not sure it would work so well in heavier weight yarns).
I knit the second size and used 3 skeins of the main colour and 1 of the contrast.
Annie Rowden’sWinter Hoodie is one of my favourite children’s knits. My mum has knit 5 or 6 of these over the years, all sized a little big so that they can be worn for several years. She recently knit one for her youngest grandchild (and my littlest nephew) in BIY Shetland DK. And I’m very happy to report that he seems to be enjoying wearing it – though catching him still enough to photgraph is quite a challenge!
The hoodie is knit with Natural Fawn as the main colour and Natural White as the contrast.
I’m so pleased that Shetland DK is soft enough to be used as yarn for baby and child knits and that it works so well for colourwork. I’d really quite like one of these for myself.
I was delighted in autumn 2019 to receive back a big batch of Shetland yarn from the mill. To-date I have had my Shetland fleeces spun by The Border Mill, and they have done a lovely job (you can read more here) but in order to have more spun this latest batch was sent to The Natural Fibre Company in Cornwall. The yarn is worsted spun, as per my previous batches, and is spun with the same beautiful quality fleeces as usual. I split the fleeces into three shades this time – Natural White, Fawn and Grey.
The resulting yarn is really lovely, a little more plump than my previous batches but at least as soft. The 4ply has 2 plies and is 350m/100g (so will also work as a sport weight and is at the heavier end of 4ply weight) and the DK has 3 plies and is 220m/100g. Here’s a photo of me sorting the many many fleeces which went into this batch!
I can’t imagine a time when I won’t have Shetland yarn – I just love the wool properties of this special, Scottish, breed of sheep. And I also love working with the farms and smallholdings I buy the fleece from…………it is so good to go back year to year and catch up with the latest sheep (and otherwise!) news.
I have been really enjoying dyeing each of the three shades. To date I have mostly dyed on my white yarns, and occasionally on grey but I have been particularly happy with some of the shades I’ve been able to achieve on the fawn. I’ll keep both weights of Shetland in stock as much as possible, and you can find it here. I’ve popped a few of my most recent Shetland colours below, all naturally dyed as always.
The cardigan is knit in Coulmore DK and works perfectly for this simple cardigan with beautiful details. To quote from Laine: ‘ If we had to choose just one cardigan to wear for the rest of our lives, it would be this one. Fake shoulder seams make a lovely small detail and the collar can be worn folded or unfolded. Knitting this cardigan is like going on an exciting adventure with a friend ending with a trip to a local button shop – or you do it like Joji and finish your knitwear with buttons that used to be your grandpa‘s. ‘
Unfortunately my buttons aren’t ones that used to be my grandad’s (isn’t that special?) but are lovely wooden ones that mum bought in South Africa – I always think that mum is very good at picking the right buttons to finish off a project.
The sample uses Coulmore dyed with tea leaves, and I love the neutral colour for this simple design. It is knit in size medum and used five 100g skeins. I have been wearing mine for almost 2 years now (a bit of a blogging delay!) and even with very regular use it shows little signs of wear, and almost no pilling. I’d thoroughly recommend the pattern and yarn combination. Coulmore DK works very well for knits that you want to wear regularly. It isn’t the most sophisticated yarn but it is hard wearing and (for me) comfortable next to the skin…………plus the wool comes from one farm here on the Black Isle which supports three generations of the same family, and that in itself is very special. You can read more about Coulmore here.
Probably the cutest ever knit in BIY – I love the Cockle Socks by Katie Green! Lovely Katie is a talented illustrator and comic drawer but also designs knitting patterns, and luckily for me she designed these socks in my Killen Sock yarn. There’s more information about Killen Sock here.
Katie’s fabulous design uses just under 100g of Killen. Currently, Killen is one of my small batch yarns so won’t always be in stock but, when it is, I’ll try to ensure there’s some Cockle Sock kits available in the shop. Each kit will have just the right amount of yarn, in two shades for knitting your own pair of Cockle Socks.
Katie says: ‘ The Cockle Socks are knitted from the cuff down with a Picot Hem, charted colourwork design, heel flap and gusset and a barn toe. The pattern is written in one size for a stitch count of 64. Gauge adjustments will enable you to knit different sizes. ‘
‘Fyrish’s rippling waves of colour flow as far as you let them. This unusual narrow shawl (or is it a wide scarf?) tucks neatly under your coat, but can be puffed up to make a beautiful statement just at the neck. Or you could knit a longer version for a dramatic wrap. This distinctive openwork ripple stitch makes the most of Black Isle Yarns’ deep hues and soft handle. And if you find those strong gaps and scalloped lines suggest gothic arches… well, you should come visit Fyrish some time.’
Fyrish itself, and the inspiration for the shawl, is a hill just to the north of the Black Isle. The monument on top of Cnoc Fyrish was built in 1792 as a means of providing work during the Highland Clearances. The local laird, Sir Hector Munro, organised the construction of the monument as a means of providing work – reportedly rolling stones back down the hill to extend the length of time it took to build.
The Fyrish Shawl is my current favourite to wear – in BFL 4ply it is wonderfully soft and has a slight squish and drape. The shawl is very economical, using just one full 100g skein plus two 25g mini skeins. I have been thoroughly enjoying dyeing sets for the shawl. BFL is a small batch yarn so may not always be in stock but Fyrish will work well in BFL Suri too and I will try to keep mini skein sets in the shop as much as possible.
Once again my lovely mum has been helping me out with some sample knitting – and once again, I’m wearing the so-called sample all the time! St Catherines is a superb design by Kate Davies, who says that it is a ‘shrug-style garter stitch cardigan, with dolman sleeves and short-row shaping‘. Mum knit my version in BIY Bluefaced Leicester 4ply, I love it in this soft, slightly squishy and drapey yarn and find it very wearable – comfortable and flattering. It would also work very well in Bluefaced Leicester Suri Blend 4ply, the addition of the Suri Alpaca in this blend would add even more drape and work very effectively with the deisgn.
The cardigan used 3 skeins of BFL 4ply to knit the 2nd size (with longer sleeves) and is knit in Seaweed. Seaweed is naturally dyed (as always) with locally collected bramble leaves and indigo. I loves the colour tones I achieve when dyeing with bramble leaves (Rockpool is also dyed with bramble leaves, with more indigo for a deeper shade, and has a similar tonal effect). If you look in the Ravelry gallery here you’ll see you can also knit St Catherines as a striped cardigan, I love it this way too.
I’ve had the Puzzlewood Mittens pattern on my to-make list since it was first published a couple of years ago. The original design, by Ruth Werwai, was published in the lovely book WOODS, by the Making Stories team. I love that they feature local sustainable yarns – and, in fact, Black Isle Yarns are the original yarns used in the Puzzlewood Mittens design.
I no longer produce one of the original yarns so I decided to knit my pair with two skeins of Gotland DK (one of the two original yarns). I have been testing the colour-fastness of yarn dyed with Safflower and used a sunshiny yellow Safflower skein combined with a soft beige dyed with oak bark. The pattern is a straightforward and satisfying knit. I knit size 2 although I would have been better with size 1. Since taking the photos I have machine washed the mitts to slightly shrink and felt them! With two 100g skeins you could knit two pairs of these mittens, reversing the colour dominance for the second pair.
I’d definitely recommend this pattern as a quick and simple knit.